Diane Chappalley's debut solo exhibition with the gallery includes a series of paintings in which figures appear suspended within soft, atmospheric grounds, surrounded by flowers and embodying curving, embryonic forms, a visual language that evokes a state of becoming.Two accompanying ceramic series, one of flowers, the other of hearts, extend these motifs into three dimensions, as though elements from the paintings have blossomed within the room. Together, the works describe an in-between space: intimate, bodily, and devotional.